Thesefaith-based movies are a collection of Christians' different stories of getting rid of sin, welcoming the Lord's return, educating their children, and persisting in their faith through persecution. If I Were Not Saved by God (Audio Essay) Testimonies of Returning to God Download Our App. More Ways to Connect + +1
Netflix HomeUNLIMITED TV SHOWS & MOVIESSIGN IN2013 Maturity Rating16+ 1h 8m DocumentariesA decade after the seminal Brazilian film "City of God," this documentary reunites some of the cast and crew to find out what paths their lives all you DetailsWatch offlineAvailable to downloadGenresBrazilian, Documentary Films, Biographical Documentaries, Social & Cultural DocsThis movie is...InvestigativeAudioBrazilian Portuguese [Original]SubtitlesEnglish, Polish, Brazilian Portuguese, Romanian, TurkishMore Like ThisComing SoonOutlanderThis epic tale adapted from Diana Gabaldon's popular series of fantasy-romance novels focuses on the drama of two time-crossed MirrorTwisted tales run wild in this mind-bending anthology series that reveals humanity's worst traits, greatest innovations and 2Back from the brink of death, highly skilled commando Tyler Rake takes on another dangerous mission saving the imprisoned family of a ruthless striking out on his own, Batman's former partner Dick Grayson encounters a number of troubled young heroes in desperate need of a hard-working family man returns to his corrupt village to celebrate a local folk festival but is forced back into his former life of Quite NarwhalCurious little Kelp's been living his whole life as a narwhal... until he finds out he's actually a unicorn. Now he's got two worlds to explore!Black Clover Sword of the Wizard KingAs a lionhearted boy who canât wield magic strives for the title of Wizard King, four banished Wizard Kings of yore return to crush the Clover EarthsparkAllied with a family of humans, a new generation of Transformers searches for purpose while defending Earth from threatening evil behind the scenes of Netflix TV shows and movies, see what's coming soon and watch bonus videos on
Cityof God isn't only a brilliant film just because of how well it was created, but more of because it delivers an important message to the world. Maymay A Super Reviewer. Sep 05, 2015.
What to know City of God offers a shocking and disturbing - but always compelling - look at life in the slums of Rio de Janiero. Read critic reviews Rent/buy Subscription Subscription Rent/buy City of God Photos Movie Info In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket Phellipe Haagensen is a budding photographer who documents the increasing drug-related violence of his neighborhood. JosĂ© "ZĂ©" Pequeno Douglas Silva is an ambitious drug dealer who uses Rocket and his photos as a way to increase his fame as a turf war erupts with his rival, "Knockout Ned" Leandro Firmino da Hora. The film was shot on location in Rio's poorest neighborhoods. Rating R LanguageDrug ContentSexualityStrong Brutal Violence Genre Crime, Drama Original Language Portuguese Brazil Director Fernando Meirelles Producer Andrea Barata Ribeiro, Mauricio Andrade Ramos Writer BrĂÂĄulio Mantovani, Paulo Lins Release Date Theaters Jan 17, 2003 original Release Date Streaming Jun 8, 2004 Box Office Gross USA $ Runtime 2h 11m Distributor Miramax Films Production Co StudioCanal, Videofilmes, Hank Levine Film, O2 Filmes, Lereby, Lumiere Productions, Globo Filmes, Wild Bunch Sound Mix Dolby Digital, Surround, Dolby SR, Dolby Stereo, Dolby A Cast & Crew News & Interviews for City of God Critic Reviews for City of God Audience Reviews for City of God Sep 06, 2016 As good as everyone says it is. Check this out. Dec 26, 2015 City of God isn't only a brilliant film just because of how well it was created, but more of because it delivers an important message to the world. Super Reviewer Sep 05, 2015 If you don't like guns, this movie will be very painful for you. But a compelling glimpse into gang violence in Brazil in the 1970s. Super Reviewer Dec 13, 2014 A young boy grows up amid gang violence in Rio. More of a chronicle of disparate gangs than a cohesive plot, City of God is frenetic filmmaking at its finest. Quick camera pans, storylines that stop and start, and bloodletting violence fill this film with the type of energy that is reminiscent of Tarantino and Scorsese. Based on true stories, the film is more about environment than plot, and the feeling is both harrowing and shocking. There's no one central performance that strikes me as remarkable because all of the performances ring with authenticity. Overall, this is one of the finest portraits of gang violence produced outside of America. Super Reviewer
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"City of God" churns with furious energy as it plunges into the story of the slum gangs of Rio de Janeiro. Breathtaking and terrifying, urgently involved with its characters, it announces a new director of great gifts and passions Fernando Meirelles. Remember the name. The film has been compared with Scorsese's "GoodFellas," and it deserves the comparison. Scorsese's film began with a narrator who said that for as long as he could remember he wanted to be a gangster. The narrator of this film seems to have had no other choice. The movie takes place in slums constructed by Rio to isolate the poor people from the city center. They have grown into places teeming with life, color, music and excitement-and also with danger, for the law is absent and violent gangs rule the streets. In the virtuoso sequence opening the picture, a gang is holding a picnic for its members when a chicken escapes. Among those chasing it is Rocket Alexandre Rodrigues, the narrator. He suddenly finds himself between two armed lines the gang on one side, the cops on the the camera whirls around him, the background changes and Rocket shrinks from a teenager into a small boy, playing soccer in a housing development outside Rio. To understand his story, he says, we have to go back to the beginning, when he and his friends formed the Tender Trio and began their lives of what some would call crime and others would call technique of that shot-the whirling camera, the flashback, the change in colors from the dark brightness of the slum to the dusty sunny browns of the soccer field-alert us to a movie that is visually alive and inventive as few films began as a director of TV commercials, which gave him a command of technique-and, he says, trained him to work quickly, to size up a shot and get it, and move on. Working with the cinematographer Cesar Charlone, he uses quick-cutting and a mobile, hand-held camera to tell his story with the haste and detail it deserves. Sometimes those devices can create a film that is merely busy, but "City of God" feels like sight itself, as we look here and then there, with danger or opportunity everywhere. The gangs have money and guns because they sell drugs and commit robberies. But they are not very rich because their activities are limited to the City of God, where no one has much money. In an early crime, we see the stickup of a truck carrying cans of propane gas, which the crooks sell to homeowners. Later there is a raid on a bordello, where the customers are deprived of their wallets. In a flashback, we see that raid a second time, and understand in a chilling moment why there were dead bodies at a site where there was not supposed to be any killing. As Rocket narrates the lore of the district he knows so well, we understand that poverty has undermined all social structures in the City of God, including the family. The gangs provide structure and status. Because the gang death rate is so high, even the leaders tend to be surprisingly young, and life has no value except when you are taking it. There is an astonishing sequence when a victorious gang leader is killed in a way he least expects, by the last person he would have expected, and we see that essentially he has been killed not by a person but by the culture of the film is not all grim and violent. Rocket also captures some of the Dickensian flavor of the City of God, where a riot of life provides ready-made characters with nicknames, personas and trademarks. Some like Benny Phelipe Haagensen are so charismatic they almost seem to transcend the usual rules. Others, like Knockout Ned and Lil Ze, grow from kids into fearsome leaders, their words enforced by movie is based on a novel by Paulo Lins, who grew up in the City of God, somehow escaped it, and spent eight years writing his book. A note at the end says it is partly based on the life of Wilson Rodriguez, a Brazilian photographer. We watch as Rocket obtains a stolen camera that he treasures and takes pictures from his privileged position as a kid on the streets. He gets a job as an assistant on a newspaper delivery truck, asks a photographer to develop his film, and is startled to see his portrait of an armed gang leader on the front page of the paper."This is my death sentence," he thinks, but no The gangs are delighted by the publicity and pose for him with their guns and girls. And during a vicious gang war, he is able to photograph the cops killing a gangster-a murder they plan to pass off as gang-related. That these events throb with immediate truth is indicated by the fact that Luiz Inacio Lula da Silva, the newly elected president of Brazil, actually reviewed and praised "City of God" as a needful call for its actual level of violence, "City of God" is less extreme than Scorsese's "Gangs of New York," but the two films have certain parallels. In both films, there are really two cities the city of the employed and secure, who are served by law and municipal services, and the city of the castaways, whose alliances are born of opportunity and desperation. Those who live beneath rarely have their stories told."City of God" does not exploit or condescend, does not pump up its stories for contrived effect, does not contain silly and reassuring romantic sidebars, but simply looks, with a passionately knowing eye, at what it knows. Roger Ebert Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. Now playing Film Credits City of God 2003 Rated R For Strong Brutal Violence, Sexuality, Drug Content and Language 135 minutes Latest blog posts about 4 hours ago about 21 hours ago 1 day ago 1 day ago Comments
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Movie rating 611245 votes City of God Movie If you run you're dead... if you stay, you're dead again. Period. Original title Cidade de Deus Cidade de Deus is a shantytown that started during the 1960s and became one of Rio de Janeiroâs most dangerous places in the beginning of the 1980s. To tell the story of this place, the movie describes the life of various characters, all seen by the point of view of the narrator, BuscapĂ©. BuscapĂ© was raised in a very violent environment. Despite the feeling that all odds were against him, he finds out that life can be seen with other eyes... themoviedb Posters Backdrops Interesting links subtitles Trailers HD Uploader aliyan gold-member 319 uploads All subtitles from this user Rate quality of subtitles 0 votes Fileinfo One moment please...
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